A Happy Man Review
Dende is undeniably a large unknown in the industry at the
moment. He has released two solid projects prior to this new album A Happy Man, and while most likely to
remain anonymous among the mainstream, this new album is another strong entry
into his catalog. Laced with a variety of groovy, colorful synths and a
gorgeous cinematic array of chords and charismatic vocals, the project serves as
a musical odyssey into his amalgamating streams of thought. A Happy Man presents his emotions and
experiences in a uniquely thematic exhibit that aims to chronicle his journey
through the turbulent ups and downs of life, centering on Dende’s happiness and
his pain, ultimately revealing the emotional rollercoaster of a journey he has
experienced while seeking out a peaceful salvation from sorrow and trauma.
The album blends the R&B genre with melodic jazz rap
continuously throughout the record, with tracks having layered combinations of
both or strictly leaning in either direction. Whether it is the vocal
harmonies, the soulful percussion or the beautifully cinematic synth and chord
arrangements, this record has a lot of variety that is streamlined to fit the
thematic messages and artistic style of Dende’s music quite well. This
genre-bending aesthetic Dende presents allows this album to feel extremely
fresh and provides some very revealing, almost surprising moments on the record
in which Dende conveys vulnerable insights into his persona. He presents a
duality of emotions in the forms of joy and despair that are acted upon
throughout the album by a collection of tangible experiences, those being
mental health struggles, lost loves and the uncertainty of his true self. The
introduction to the album “A Happy Man” serves as the beginning of this journey
as he emphatically lays out in the lyrics that before the releases of his two
previous records he lost family members before each of them. The production is
gorgeous, as it opens with some moody acoustic chords, slowly evolving with the
onset of a delicate kick drum and shapeless synth notes echoing behind the
subtle snaps supporting this beautiful track. “Close2u” sees Dende singing
about his desperation to be with this girl again, as he sings “I just want to
be close to you again babe.” The track is a crooning slow jam vibe, complete
with some emotional guitar harmonies spliced into the cut, providing a distant
sense of sorrow and desire. This track allows for an interesting insight
because even if Dende isn’t happy now, broken relationships and heartbreak are
inevitable and necessary experiences in life, so this song being on here seems
to be a testament to his healing and acceptance.
The Album’s theme of searching for happiness is presented
most noticeably on the first track “A Happy Man,” then in the middle of the
record on “A Happy Man’s Demons.” The song features skeletal production in the
form of a relaxed kick drum and a synth note slowly rising and falling as Dende
raps from two perspectives; the first being himself contemplating what
happiness is, then the other as a “demon” which is introduced with the
assistance of auto tune to deepen his voice. The demon’s voice serves as the
foil to Dende on this track, acting as the negative voice in his head telling
him that he will never be successful, thus never being truly happy. Dende’s
emotional concept is tied up as the other tracks progress, with cuts like “I
Cried” revealing vulnerable moments about Dende’s past. The track’s production
gorgeously blends jazzy trip-hop and R&B together with the groovy
percussion, moody bassline and the ethereal chords emanating from the
instrumentation. The vocals are a combination of rapping and singing, with the
chorus vividly exemplifying Dende’s amazing voice.
Special moments on this record occur quite often but the
track “Say Sum” is arguably the best, due to the catchiness of the 808-snare
combo and the beautiful harmonies created by the chords and synths. Dende’s
vocals are wonderful and the melodic rap from OLA on the feature is just as
good so there are no moments that come off as dull or uninspired. The final cut
on this record is “I Smile,” and it serves as the closer to a cinematic,
emotional journey from Dende. The vocal performance from Dende combined with
the elegant instrumentation creates for a diaphanous, triumphant ending to a
meaningful project.
Dende’s ability to merge hip-hop and R&B aspects of
music into his records is a rare talent and even more uncommon is the fact that
he does it while harnessing a meaningful concept throughout. The themes of this
record lead me to believe that the cuts on here would be overwhelmingly sad or
mired in stale tones of sorrow, regret and depression. A Happy Man does not fall victim to this these vices and Dende’s
performances on here deserve a heaping quantity of praise and admiration. Some
of the features on here were a bit lackluster and disappointing, but the
overall quality exuded by Dende and the sheer gorgeousness of the sonic
textures of the project are testaments to the potential he has, with him
chronicling his journey to happiness a giant leap forward for his career.
Score: 8/10
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