Music For Winter Vol. 1 Review
Winter is the season usually associated with the holidays and being around loved ones, but with the onset of the pandemic it was unlike any festive season in recent memory. Another Sky, a relatively new band in the alternative and indie rock scene, has delivered a new EP that explores the other feelings accompanied with isolation and the darkness of winter. They have crafted a solid glimpse into the emotions and turmoil the band felt after being alone for so long and have done well to utilize their daunting sound to deliver a project that is very complete, if not slightly jading to the listener at times. Music For Winter Vol. 1 is an endearing EP with some great themes and some promising signs of what might be in the future for Another Sky.
The one thing that is immediately striking are the vocals
delivered by Catrin Vincent. Able to sound like an androgynous angel and then a
powerful, booming masculine figure, many might be confused and assume the
vocalist of Another Sky is one of the other guys in the band. Catrin Vincent’s
voice and range are unlike anything that has been gracing the genre, and this is quite apparent throughout the album. The first track on this
EP “Pieces” shows us her vocal qualities immediately. Beginning slow with some
somber guitar chords and soon being spirited away by a strong, sorrowful
bassline and evanescent drums, Vincent sings in a gorgeous, ethereal tone
throughout the first half of the song. The chords are deep and driven by
intense emotions, sounding so textured and very powerful as the song progresses.
The instrumentation picks up during the latter half of the track, with
everything becoming more and more immense, and Vincent’s vocals also change to
the more masculine, deeper toned voice conveying a sense of more angst and
passion. “Sun Seeker” is a cut that shows us some fantastic songwriting from
the group. Catrin sings in a super high pitched, intoxicating angelic voice “The
sun comes up and colors the town, in a light it fights against, to tear itself
down, How strong I stand in your hurricane, how you pull me in, how I turn
away, I take the world in my hands.” The song is about finding “the sun” in the
sense that Catrin, or whoever the track is about was in a bad relationship,
feeling trapped by this other person and wanting to be free. She sings a metaphor
about being “A bird in your cage” and later crooning “I say who I am and say
when I’m done.” The structure and lyrics are quite beautiful and elicit some powerful
emotions. The other distinguished elements on this cut are the chord
progressions, with the bass steadying the rhythm and the acoustic notes hitting
with grace, mellowed energy and fleeting sadness.
Tracks such as “Blood Love” showcase more instrumentation qualities
and textures like evanescencent piano keys and some brilliant string sounds as
well. The keys are light as a feather and almost hard to make out from the rest
of the sorrow-filled sounds, but this adds to the blended emotions each instrument
gives off. The drums are relaxing and clear in tone, while the bassline and
guitar chords are more melted together, giving this track unbelievable depth. Vincent’s
vocals also fluctuate much more, with her angelic harmonies and oozing
confidence constantly playing tag with the other, able to elevate the track to
grander beauty with the orchestral chords accenting her higher notes or the
piano keys complimenting her deeper tones. “Was I Unkind” features and
infatuating piano progression that rides with Vincent’s divine, sorrowful
voice. The track is pretty minimalistic sonically, with only the piano keys and
some intermittent string melodies, along with the occasional guitar chord and scarce
percussion. The outro part of this song does see the instrumentation change for
the last minute or so, with some added basslines and snares to round it off. The
vocals are the highlight of “Was I Unkind?” Catrin sounds incredibly evocative
and celestial, filling the listener’s ears with an array of notes, pitches and
ranges that are all emotionally charged and indescribably beautiful. She sings “A solitary angel grew on my
windowsill, I’ve never seen something so alive, stay still, Doesn’t know it
only grows toward the sun in vain, I don’t know how to show those I live I’m
always in pain. Catrin Vincent has stated in an interview on Broadway World that the song was written
about a plant that she had and how it accidently died, so the song is a
metaphor for how she treated herself, with the plant being symbolic of her.
Vincent said “I realized I was as trapped in the world as the plant was, at the
mercy of myself. The Winter Solstice is a time of death and rebirth.” We can
see that the theme of the EP is about the desolation of the winter months, with
this cut and its lyrics showing us that, but in many cultures the winter is also
a time of rebirth. Catrin and her bandmates went through some emotional
difficulties, and ultimately healed from their time alone and came together to
then record this EP. “It Keeps Coming” finishes off the project and present yet
again are Vincent’s dualistic vocal inflections, but the instrumentation is much
more upbeat, with some eccentric guitar and bass chords. The percussion is
electric and riveting and the other textures added are quite gorgeous. The name
of the track is repeatedly sung during the chorus, and it is amazing. Catrin
sounds fantastic and the rapid and rising sounds really make this cut an
engaging, head-bobbing vibe.
Score: 6/10
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